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Memphis Group products were never intended to be timeless, or to have mainstream appeal. They were a statement; a protest against the neutral, understated and functional Modernism that preceded them. Here was a passionate movement driven by form, not function – designed to provoke an emotional response.
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In 2011, the movement was revived in organza skirts with shiny cubic pieces from a Christian Dior collection, which a few years later returned to influence architectural interior projects around the world. Surrendering to gaudy curves, vibrant colors and exaggerated compositions, Google's Amsterdam Headquarters and Esquire Office in India are examples of projects that show the global trend of Memphis' resurgence. Far from the US state of Tennessee, the Memphis movement emerged in Milan in the 1980s and revolutionized design. Its gaudy colors, exaggerated patterns and conflicting prints were intended to overturn the minimalism status quo of the time, also contradicting the functionalist design postulated by the Bauhaus with its purely aesthetic and ornamental forms. Garage Italia Customs were tasked to give two BMWs (the i3 and an i8) Memphis-style inspired makeovers for the Milan Design Week.
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There has been a revival of Memphis design ever since the death of the founder of Memphis design, Ettore Sottsass. The revival is clearly visible in interior design, product graphic design, and especially fashion design. The cars showcase the well-known monochromatic stripes together with a grid pattern, blocks of yellow, orange, and teal, and other distinctive Memphis-style geometric shapes that were carefully integrated into the curves of the vehicles.
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These shapes were illustrated with straight lines, or sometimes as hand-drawn. The popular Memphis “pill” pattern is often used inside these geometric shapes. Memphis Design is a 1980s design aesthetic characterized by scattered, brightly colored shapes and lines. It typically combines circles and triangles with black-and-white graphic patterns such as polka dots and squiggly lines.
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Immerse Yourself in Memphis Design at For Your Guest Bathroom's Pop-Up - Architectural Digest
Immerse Yourself in Memphis Design at For Your Guest Bathroom's Pop-Up.
Posted: Thu, 23 May 2019 07:00:00 GMT [source]
While the name might lead you to believe Memphis Design Group got its start in Tennessee, it actually emerged from Milan, Italy. The name was inspired by the Bob Dylan song Stuck Inside of Mobile with the Memphis Blues Again, which played on repeat during the group's first meeting. The Carlton has all the over-the-top characteristics of a Memphis design furniture piece, including the fact that it is enormous in scale at almost two square meters. Diagonal shapes are stacked on top of each other and are finished with clashing colors including bright orange, red, green, and soft pastel blue and yellow. When looking at entertainment as an example, the show Miami Vice included many architectural examples of Memphis design. Below we’ll be looking at a few iconic examples of Memphis design in each of the different categories including furniture, interior design, sports, vehicles, and product design that played a large part in the re-emergence of the Memphis aesthetic.
The spirit of Memphis Design was one of liberation and joy, emphasized by the multitude of colors and the explosive geometry. The style was, after all, made to oppose practicality, and it could not sustain itself in practical, everyday settings. In 1987, in the wake of Black Monday’s recession, The Memphis Group officially closed its doors. In 2016, the brand Supreme released a series of skate decks and clothing designed by Alessandro Mendini, who appeared in the first Memphis show.
The return of Memphis: how the 80s design staple found a new audience - The Guardian
The return of Memphis: how the 80s design staple found a new audience.
Posted: Fri, 21 Jul 2017 07:00:00 GMT [source]
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In the case of Memphis design, the design movements that inspired it were very unusual and made for interesting combinations. Nathalie Du Pasquier can be seen as the person who was single-handedly responsible for the recurrence of Memphis design. Although the group disbanded in 1987, Du Pasquier continued to collaborate with brands while keeping with the ethos of the Memphis design style. Bedin’s lamp was later manufactured in an artisanal workshop where many other Memphis designs were manufactured. The prototype of the Super Lamp is now exhibited in the Victoria & Albert Museum in London, England. The work he did there highly influenced the designs he created later for Memphis design.
The Sterling Streamliner Diners in New England were diners designed like streamlined trains. The style was the first to incorporate electric light into architectural structure. In the first-class dining room of the SS Normandie, fitted out 1933–35, twelve tall pillars of Lalique glass, and 38 columns lit from within illuminated the room. The Strand Palace Hotel foyer (1930), preserved from demolition by the Victoria and Albert Museum during 1969, was one of the first uses of internally lit architectural glass, and coincidentally was the first Moderne interior preserved in a museum. In France, it was called the style paquebot, or "ocean liner style", and was influenced by the design of the luxury ocean liner SS Normandie, launched in 1932.
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MEMPHIS was a Milan-based collective of young furniture and product designers led by the veteran Ettore Sottsass. After its 1981 debut, Memphis dominated the early 1980s design scene with its post-modernist style. The response of the Milan party, later dubbed the Memphis Group, was a bold style that would disrupt the status quo. An exposition followed thereafter in which they showcased outlandishly gaudy pieces. The furniture was colorful, asymmetrical, often uncomfortable, constructed of cheap materials and—in a cheeky parody of high class culture—all named after luxury hotels.
Despite only being appointed to “oversee”, Bedin produced many of her own designs and, among others, was her famous “Super Lamp” placed on wheels which she designed in 1978. Martine Bedin, another member of the Memphis group, was tasked with overseeing the lighting products that were produced by the Memphis group. Growing up with an engineer as a father, she was always surrounded by so-called forbidden things, which she played with and had a great influence on the position that she was afforded at the Memphis group. Memphis design was so much the opposite of these movements that it could have been considered outrageous at the time.
We didn’t create form-based coding, but we’ve been trailblazers in the field for more than 20 years. We are experts in understanding how the form of buildings will shape community spaces, and we can simplify the process of introducing form-based codes with a predictable build-out. The Normandie Hotel in San Juan, Puerto Rico, which opened during 1942, is built in the stylized shape of the ocean liner SS Normandie, and displays the ship's original sign.
Teal and soft pink featured prominently in the installation, as well as panels of monochrome grids and stripes. Like a visual crib-sheet of Memphis motifs, Du Pasquier's Tapigri rug features simple 3D silhouettes of cubes, decorated by rough monochrome patterns, on a background of overlapping dark blue squares and circles – with a bright primary-yellow trim. The same design is also available in black, white and grey for a more Art Deco vibe. It influenced high fashion houses Missoni, Karl Lagerfeld and Christian Dior, and the latter's 2011 collection helped kick-start the modern movement in earnest. Contemporary creatives are also putting a fresh spin on the Memphis design aesthetic, such as London-based French designer Camille Walala, who graduated from the University of Brighton in 2009.
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